The Spook - "... the humanity behind the global politics of post-war decisions".

It’s the relationship between characters that help to engage the audience in Pymble Players’ ‘The Spook’ - a historically-inspired venture into the world of backroom politics in working-class Bendigo of the 1960s. The wide-eyed young protagonist Martin Porter is swept up in the excitement of his growing role as an ASIO spy, ingratiating himself into the lives of the local Greek family, Elli and George Tassakis, and using their connection to the local chapter of the Communist party. It is only later, once the novelty of living a double life begins to wane, that Martin realises the true cost of information gathering and the audience is reminded that his story is only one link in a very long chain of deceit for the common good.

Director Casey Moon-Watton’s vision is evident throughout the performance to “...depict a fascinating era of Australia’s history and…the human relationships…” within. The play's slow beginning warms quickly as we begin to witness the connections the protagonist Martin forms within the small, multi-roled cast. Moon-Watton’s direction has allowed his cast to seamlessly move between roles, ably supported by a clever set design and lighting which encourages fast-paced transition between scenes. 

The cast of ‘The Spook’ create such a relatable retelling of post-war suspicions. With an intimate, small-theatre experience and complimentary tea and bickies at interval, this Pymble Players production is a great night out for keen history buffs and those looking for the humanity behind the global politics of post-war decisions.

Published 19 May 2024 by The Fourth Wall